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It’s been three weeks, but the sights and sounds of the Steinway & Sons factory in Long Island City, New York have yet to leave my mind.  Every time I step into our showroom and gaze into the belly of a Steinway piano, my Factory Orientation at William Steinway University is a reminder of the craftsmanship and handiwork of each of those factory workers I had the pleasure of meeting.  The Steinway tradition and family lore is truly one to behold.

The adventure started shortly after I came on board at Hall Piano Company.  Our president, Steve Kinchen gave me enough literature on the Steinway name to keep me busy reading for weeks, and in fact, I’m still reading the history books and re-reading the 88 keys book by Miles Chapin (a fantastic read for any level piano enthusiast).  The words and pictures helped to prepare my senses for everything they would intake in the coming week.

After an early Monday morning departure from Armstrong International, I finally planted my feet on New York soil at LaGuardia International.  Because of limited flights coming out of New Orleans, I arrived a day prior to factory orientation; so much to my chagrin I had a whole afternoon to blow in Manhattan.  I took a limo from my hotel overlooking LaGuardia International to Uptown Manhattan, namely the Chelsea District, and walked from there to Midtown around 1st Avenue, so it was a pretty long afternoon.  I opted not to take public transportation so I could soak in as many sights and sounds as possible.

With Tuesday we began factory orientation and much to my surprise, half of my group of twelve included people around my age.  The sessions were in the morning and afternoons and Steinway provided both transportation around the city and lunch and dinner.  After training Steinway representatives would take us to dinner at these wonderful Italian restaurants where the food was amazing.  Anyway, the real highlight of the whole trip, and expectedly so, was the actual factory tour.

We began our tour in a rush to the rim-bending department just in time to see a model D rim go from a flat piece of wood to the backbone of the instrument inside the rim press.  To see these men work as fluently as they did without verbal communication was astounding.  As we moved on from department to department, constantly the smell of wood was in the air.  Another highlight for me was the veneer vault, where Steinway holds over two million dollars worth of exotic wood bundles they use for their Art Case series pianos.  Probably the most impressive department to me personally was the part of the factory where two men were selecting planks of wood lying on a wall to be used in the construction of Steinway’s patented Diaphragmatic soundboard.  The stringency these two men used in selecting the wood was exacting.  I now understand why the design of the soundboard is a key part of the Steinway sound.

My trip to the factory is one I’ll never forget.  There is so much rich history and lore in the Steinway name that one could spend a lifetime learning it all.  I’m so blessed to be a part of Hall Piano Company and in turn, the Steinway & Sons family.  I’d like to thank Jim Hoover and Vic Geiger at Steinway and John Wright and Steve Kinchen at Hall Piano in particular; and all those others at Steinway who made my journey such a memorable one.  I can’t wait to return!

 

Hall Piano Company, Inc. 901 David Drive Metairie,LA 70003 Telephone: (504) 733-TUNE (8863) Fax: (504) 736-0109

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